Friday, January 2, 2009

“Railroad Train to Heaven”, Part 117: the little man

Holidays finally over, grim reality returning with the grey cold days of January, it is with a great sigh of relief that we return to these memoirs of Arnold Schnabel, for whom -- at least during that momentous August of 1963 in Cape May, NJ -- every day was a holiday.

In our previous episode, Arnold was having drinks at the Ugly Mug with his inamorata, the ravishing bohemian Elektra, and his friend and collaborator, the famed cinéaste, littérateur, and bon vivant Larry Winchester...

She was still deep in conversation with Larry, both of them leaning in toward the other’s face as the music and the chatter and laughter swirled around them and me. I couldn’t make out a word they were saying.

And then Elektra did a nice thing -- she reached her right hand behind her and put it on my knee. I in my turn put my hand on hers, and she squeezed my knee, just slightly, as if it were a tomato on a grocer’s shelf...

My faithful reader will be thrilled to know that I now realized that I had to go to the bathroom. It felt as if I had already gone at least twenty-five times that day, but in fact I hadn’t gone since leaving my aunts’ house an hour and a half before, so here it was, inevitably, time to go once again.

Sometimes it seems it’s hardly worth the trouble drinking anything, even water, it only means that sooner or later you have to stop doing whatever you’re doing, or not doing, and drag yourself up and go wearily in search of a toilet again.

It’s tedious enough going to the men’s room in a bar under the best circumstances, but now -- with Larry’s mushrooms, as I just now realized, having somehow dissolved the usually impregnable borders between my own self and the rest of the universe pulsing and throbbing within the four walls and the floor and ceiling of this crowded and smoky noise-filled bar -- now the thought of going to the men’s room seemed as daunting as a trek through the Amazonian rain forest.

Would that I could discreetly do what I had once witnessed an old fellow do at Pat’s Tavern back in Olney, to wit, pull down my zipper and, whistling a merry tune, calmly relieve myself right where I sat.

But that wouldn’t do.

And so, with a pat on Elektra’s hand on my knee, I pushed my stool back a bit without knocking it over, and stood up without falling down.

Elektra swiveled round on her stool.

“Where you going, lover?”

I don’t think I’ve ever actually come right out and told a woman, not even my mother, that I was going to the bathroom, and I wasn’t about to start now. I made some sort of shrugging, slightly apologetic and falsely casual dumbshow, and Elektra quickly either got the drift or got bored, said, “Oh, okay,” and returned to her conversation with Larry, who had seemed paused in the midst of a long sentence and which he now resumed.

I set sail, past St. Thomas Becket, who now just looked like any other middle-aged drunk dozing at a bar, which he most likely was, and coolly I made it past the musicians and rounded the curved end of the bar, negotiated past the clattering kitchen window and past the cigarette machine and into the hallway we had entered by.

In what seemed like mere moments, and in fact what must have been mere moments, I was at the men’s room door; I pushed it, it opened, and there I was. So far so good.

There were two urinals, both free, and I went to the farther one.

I unzipped, and with only a modicum of fumbling I managed to bring it out.

Could it be? Would I actually be able to micturate and then to return to my barstool without incident or misadventure?

A small balding man of about fifty came into the men’s room, and of course I turned my gaze solidly to the smoke-yellowed tiled wall in front of me.

The little man took the urinal next to me, on my right.

I’ve always hated these situations. If guys would just keep to themselves it wouldn’t be so bad, but rarely is this the case. I don’t know what it is about me that makes men think I am someone to talk to at urinals. Maybe I’m not singled out this way, maybe it happens to everyone, I don’t know, all I know is that nearly every guy who stands next to me in a urinal talks to me, or at me, or at any rate talks in my presence, usually accompanied by grunts and groans and deep sighs of urinative relief.

“Ah, boy,” said the little man, with a sigh.

I said nothing.

I could clearly hear him urinate, but my own previously ready-to-go bladder now refused to co-operate.

“Ah, boy,” he said again, and I could tell he was now looking up and over at me.

He seemed to want some sort of response.

“Boy oh boy oh boy oh boy,” he said, and then grunted.

My urine remained trapped in my bladder.

“You pee-shy?” he asked suddenly.

I sighed, staring straight at the wall.

“Normally, no,” I said.

“Oh, it’s me,” he said. “I bother you?”

“No,” I lied.

“Good of you to say so.”

He was still urinating away, and now he began to murmur wordlessly.

I waited.

After a minute he finally finished, and with a few final sighs and grunts he zipped up.

“I’ll be out of your way now, Arnold.”

He went over towards the wash basin, and as he turned on the faucet my bladder finally relented and I began to pee.

But wait, how did he know my name?

“Of course I know your name, Arnold,” he said.

I refused to turn and look at him. I only wanted to finish what I was doing and get out of there.

I heard him pulling on the the hand-towel machine, humming as he did so. He was humming “Fly Me to the Moon”.

I finally finished, and zipped up, but the guy was standing over by the sink again, combing his hair, what little there was of it.

I headed for the door.

“I’m through with the sink,” he said, just as I was about to leave without washing my hands.

“Oh, okay, thanks,” I said.

He stepped back a little ways, but not very far, and I went to the sink.

I pumped out some detergent, turned on the faucet, and then saw that there was no one in the mirror behind me.

I turned and there he was, smiling, putting the finishing touches on his hair, which he had carefully arranged in delicate black swirls across his bald pate.

I looked back into the mirror and he was gone again.

“Mirrors cannot capture me, Arnold.”

Now it was my turn to sigh, as I set to work quickly washing my hands.

I turned off the tap, and I was about to go for the exit again without bothering with the towel machine when suddenly he was standing between me and the door.

“Jack’s the name,” he said, lighting a pipe he had taken out from somewhere, and using his index fingertip for a match. “Jack Scratch.” Having lit his tobacco, he blew the flame from his fingertip, then extended his hand, a wisp of smoke still rising from the fingertip. “At your service, sir.”


(Continued here. Kindly look to the right hand side of this page for a purportedly up-to-date listing of all other published episodes of Arnold Schnabel’s Railroad Train to Heaven™, third-place prize-winner of the Rick Warren Purpose-Driven Book Award.)

Elizabeth Cotten:

Wednesday, December 31, 2008

“A Town Called Disdain”, Episode 111: trapped

Larry Winchester, that master of montage, now cuts back to the sculptress/café proprietor Enid and the plucky young Hope Johnstone in a '54 Dodge flatbed truck with their prisoner Moloch, surrounded by his uncouth biker gang the Motorpsychos, on a night in September, 1969, on a desert road some several miles from a town called Disdain...

(Click here to review our previous chapter. This episode rated NC-17, for excessive violence to the English language.)


All four of the truck’s tires had been shot out by the Motorpsychos who now gleefully circled around it, yelping and screeching and ululating, firing their weapons into the air, popping wheelies, and generally behaving just as one would expect.

It was still a long way from town, stark starlit desert all around. Off to the right hulked Dead Horse Mesa, a once popular spot to sit and watch the atomic bomb tests. The crescent-shaped depression of the atomic sinkhole below it spread out to about a hundred yards from the base of the mesa.

“Turn off the ignition, Hope,” said Enid. She still held the .45 firmly against Moloch’s left temple.

Moloch smiled, another pallid greenish glob of drool sliding from his mouth into his chin whiskers. Unlike the vast majority of Englishmen, he had once had a fine full set of pearly strong teeth, but, alas, several years of a complete eschewal of oral hygiene allied with round-the-clock ingestion of crystal methamphetamine, marijuana and hashish -- not to mention dozens of blows to the mouth from fists, baseball bats, night-sticks and monkey-wrenches -- had all combined to make his smile ungodly revolting. Moloch was well aware of this and indeed he quite often used his ghastly rictus as a psychological and emotional weapon, but this smile now was a genuine response to the real joy he felt at the awful noise and spectacle his men were making, a kind of joy he had whilom known only in great symphony halls or alone in his study with his gramophone, tears rolling down his cheeks as he listened to, perhaps, Kirsten Flagstad’s rendition of Brünnhilde's immolation scene.

Indeed his present situation filled him with an intense love of life, so much more intense than anything he had allegedly felt in his previous life of dedication to philosophy and music and literature, to family life and healthful walks across beautiful moors armed only with a thermos of sweet milky Earl Grey tea, a few slices of white toast, and a limp leather volume of Mallarmé.

What a fool he had been.

This, this, all this was so much richer than any so-called work of art!

He turned, still smiling, to face Enid, her gun’s snout now pressed between his eyes. He began to sing, softly, raspily, but in pitch and not without talent (had he not been in the buggery choir at Eton, the poncey Rupert Brooke Memorial Glee Club at Oxford?). The melody was slightly adapted from Radamés’s invocation to the god at the end of Act Two of Verdi’s Aïda:

We are going to rape you
We are going to rape you
You and your little friend
You and your little twitty friend

Then we are going to kill you
Then we are going to kill you
In a rather savage way
You, you and your little bitty twitty friend

Enid couldn’t help it, and just as Moloch was beginning another verse she quickly swung the .45 back across her left shoulder and then slammed the butt hard into his nose with a satisfying crunch.

He slumped down, out cold, mirrored shades sliding off his face, blood streaming from the jagged gash on what had been his nose, a bubbly purring sound coming out of his slackened mouth.

“What do we do now, Enid?” asked Hope.

Enid had the .45 aimed at Moloch’s head. She was watching the blood pouring out of his nose. She took Moloch’s Webley revolver out of her waistband and held it out to Hope.

“Know how to use this?”

“Sure do,” said Hope, briefly lapsing into a southwestern accent. She took the gun. “Should we start shooting them?”

“No --” said Enid, “not yet. Light me a cigarette, will you?”

She reached into her jacket pocket with her left hand, took out her cigarette case and popped it open. Hope took out a cigarette, lit it with her own lighter, and then put the cigarette between Enid’s lips. The Motorpsychos still circled the truck, screaming and shouting and firing their guns into the night. In their excitement they didn’t seem to have noticed that Enid had walloped and knocked out their leader. Hope took out her own Mexican silver cigarette case and got herself a pastel blue Vanity Fair.


(Continued here. Kindly turn to the right hand side of this page to find a purportedly up-to-date listing of links to all other extant episodes of Larry Winchester’s A Town Called Disdain™. Be sure to take advantage of our post-Christmas Town Called Disdain™ Action Figures Sale Event, all items marked down another 55%, exclusively at Ross Dress For Less. All action figures made of the highest quality Chinese plastic and tested for lead and several other toxins.)

Nancy Sinatra: Sugar Town --

Monday, December 29, 2008

Arnold's Olney, Part 2

Thanks to recently released Russian archives, we present the above spy photo of another portion of the little world of Philadelphia’s “Rhyming Brakeman”, Arnold Schnabel, circa 1962.

The inverted red teardrop on the upper right indicates the Pvt. Raymond T. Osmond VFW post, on the southwest corner of Chew and Lawrence, immortalized in Arnold’s beloved poem “New Year’s Eve on Chew Avenue”.

Walking east on Chew we come to 5th Street, also known as the “Old Main Drag”, home to numerous shops frequented by Arnold and his mother.

Turning left on 5th, Arnold would often go up to the sprawling second-floor Fahey’s Book Shop, where he would buy used copies of paperback novels by the likes of David Goodis, Richard Stark, Peter Rabe, and Jim Thompson. Having read them, he would bring them back to Mr. Fahey and trade them in for more of the same.

It was in Fahey’s shop that Arnold gave the one-and-only poetry reading of his career, on a cold and rainy Tuesday night in November of 1962. So many Olneyites (mostly women) came out to hear their bard that many had to stand in the back or sit on the floor or on the long windowsills.

Despite the success of the evening, the modest Arnold declined all future invitations to read his work.

5th Street below Chew, 1962 (Fahey's Bookshop entrance to the right of the cigar store)


(Go here for Part 117 of Arnold Schnabel's memoir Railroad Train to Heaven. Kindly turn to the right hand side of this page for listings of links to all other published chapters of this magnum opus as well as to many of Arnold's easy-to-understand poems. All material published with the kind permission of the Arnold Schnabel Society of Philadelphia PA.)

Spencer Davis Group: Waltz For Lumumba --

Saturday, December 27, 2008

A poem for the season

Somehow it’s been almost ten months since we’ve run a classic Arnold Schnabel poem. We are happy now to present a masterful sonnet from that dour period immediately preceding Arnold’s complete mental breakdown, originally published in the Olney Times for January 4, 1963; two weeks later he would be in a padded cell at the Philadelphia State Mental Hospital at Byberry.

If the present poem appears particularly gloomy even for this time of the year, please remember that this particular new year's eve was a mere two months after the Cuban Missile Crisis, during which the destruction of mankind suddenly loomed as a very actual possibility, and concerning the horror of which Arnold Schnabel had already versified so beautifully.

(The “Chew Avenue” of the title refers to the location -- on the corner of Chew and Lawrence -- of the local Veterans of Foreign Wars post, now sadly defunct.)


New Year’s Eve on Chew Avenue

It’s New Year’s Eve, it seems we’ve made it,
If only barely, through another year;
The terror, if not gone, has abated
Into a dull and grey persistent fear.
My mother’s sound asleep by eleven,
So I go to the VFW,
Shove to the bar of this drunkard’s heaven,
And say, “Pat, if you please, I’ll trouble you
For a Schmidt’s, backed with an Old Forester,
And keep them coming till I say not to,
Or until you throw me out; whatever;
Do what your conscience says that you’ve got to.”
I take that first sacred drink of cold beer:
“Happy new (let’s hope it’s not our last) year.”



(Republished for the first time since 1963 with the permission of the Arnold Schnabel Society of Philadelphia, PA. Kindly look to the right hand side of this page for a listing of links to many other fine poems by Arnold Schnabel, many of them suitable for recitations and toasts at family, business or social gatherings, weddings, and funerals during this holiday season. Be sure also to visit our ongoing serialization of Arnold's classic memoir  Railroad Train to Heaven.*)

*"I read a page or two every night before retiring." -- Bertrand Russell

Willie Mitchell: that driving beat --