Friday, December 31, 2010

The Legend of Gooney McFarland


That's Gooney on the right, posing for his legion of fans at his disastrous wedding reception at the VFW


(In response to hundreds of cards and letters we present this very special re-broadcast of one of our perennial holiday favorites. )

Every neighborhood has one: the neighborhood nut-case; Olney back in the day distinguished itself by boasting dozens of neighborhood nut-cases at any given time. Every block had its nut-case, sometimes every house on the block had its nut-case, and indeed often there were heroic semidetached- and row-homes harboring more than one nutcase, or even a whole roistering clan of nut-cases. Lots of nut-cases in Olney. But in this land of the insane no one was less sane, and no one more feared, reviled, ridiculed, and defamed than one Martin de Pours McFarland, better known simply as “Gooney”.

Gooney McFarland (born in 1950 in one of those "new" houses on Wentz Street, right by the Heintz factory) always seemed to get there first. He first got arrested at the age of eight, for breaking a window of Zapf’s music store and trying to steal one of their brand-new electric semi-hollowbody Gibson guitars. The young Gooney was a major Elvis fan at the time and he wanted his own guitar, so that he could learn how to play it and become a rock and roll sex king. Good thing for Gooney, his father, Frank X. McFarland, was a policeman. And Mr. McFarland’s job continued to be a good thing in the subsequent career of the young scalawag (although Gooney's career proved to be far from a good thing for that of the elder Mr. McFarland). It was solely because of the exploits of this young and then not-so-young madman that Officer McFarland was never promoted above the rank of patrolman, this proud ex-marine, this hardworking Joe who put himself through LaSalle College on the GI Bill while working fulltime as a cop, this staunch Catholic who fathered nine children (all of them good kids, except for the middle one, you-know-who).

First of the gang to be arrested, Gooney racked up many other firsts. In 1963 he became the first kid on the block to try pills. He had noticed the slick-suited boys from the “Harrowgate Mob” hanging around the corners of the Heintz factory compound. These guys were cool, with their skinny ties from Krass Brothers and their pennyloafers from Thom McAn, and Gooney wanted to be like them. The Harrowgate hoods soon had the young Gooney running back and forth across the street to double-shifting Heintz workers parked in their junkers, handing over little bags of pills in exchange for hard cash, which he would run back and deliver to the Harrowgate boys in one of their souped-up Thunderbirds. The Harrowgates were always wired to the gills, and of course Gooney, who would have jumped off the Betsy Ross Bridge if the Harrowgates were jumping too, tried a sample of the product, loved it, and became at the tender age of twelve the neighborhood's youngest drug addict, with a special love for the uppers called “Pink Footballs”. Alas, perhaps it was the drug that made Gooney so bold as to begin stealing from his heroes, shorting them on both pills and cash. But if Gooney was always a bold thief, he was never really a good thief. He couldn’t do anything quietly, the concept of discretion was alien and hateful to him, and he could not stand not to boast to one and all of any new crime he had committed. So it took the Harrowgate Mob about two whole days to realize that this little brat was ripping them off. They beat him up and then tossed him down that trash-filled gorge in the woods across Front Street from Cardinal Dougherty High School. But what did Gooney care, after he finally awoke in Einstein Hospital the next day? This would be just another one of the many stories he could bore people with his whole life.

First to get busted and take pills, first to get the last piece of shit beaten absolutely out of his wiry little form, Gooney was the first to try pot as well; the first in the neighborhood to sell pot; the first to get busted for selling pot; and the first to get sent down to Juvie, despite all the best efforts of the beleaguered Officer McFarland. Down at the Detention Center at 100 W. Coulter Street, Gooney became the first kid ever to attempt escape from the roof, trying to rappel down on a clothesline that turned out to reach only to within 50 feet of the ground.

After six more months in the hospital the now permanently-limping Gooney was released and sent back to the familial mini-manse on Wentz Street. Officer McFarland, a long-time usher at St. Helena’s Church (in which capacity he was a colleague of Olney's poet laureate Arnold Schnabel), amazingly was able to talk the priests at Cardinal Dougherty High into admitting Gooney as a freshman in the fall of 1966. He was put into the lowest academic section (Section 20, “the Vegetables” as the “Brains” in Sections 1-3 cruelly dubbed them), but even the easygoing courses in this nether-region (Basic Shop, Basic Phys. Ed., Basic Numbers and an English course based on the “Dr. Seuss” books) proved beyond the limits of his attention. He drew all Fs that first semester, but this didn’t bother Gooney because he had scored in those months another first: first kid in the neighborhood to try LSD.

The incredibly patient Principal Father Dean allowed Gooney one more semester to try and buckle down and straighten out. Gooney got four Fs again. Who gets Fs in Phys Ed, anyway? Who flunks a course where the most rigorous reading assignment is “The Cat in the Hat”? A daily tripping Gooney McFarland, that’s who.

Next year it was off to the brutal grey corridors of the dreaded Olney High for our young hero. Little afraid of the striding African American teen gangs the Clang Gang and the Moroccans, Gooney blithely befriended the black kids, even affecting their mannerisms, dialect and mode of dress. He soon became the Clang Gang’s liaison-drugrunner to the school’s white kids. The Clang Gang had apparently not heard of Gooney’s treachery a few years before with the white Harrowgate Mob. But they soon experienced a similar treachery, and one day Gooney was sent sailing, flailing his arms and screaming bloody murder, out of a third floor window of Olney High.

Eight months in the hospital and young Gooney was back on the street, or at least back in his parents’ house, where he spent several months watching TV (Sally Starr's Popeye Theater was his favorite) and getting his strength back.

The year was 1968, and every young man in his right mind was doing everything he possibly could to avoid the draft and Vietnam. Gooney of course on his 18th birthday took the subway downtown and volunteered for the marines at their recruiting office at Broad and Cherry. His services were refused by the USMC, on grounds both physical, educational, and most of all, psychological. Gooney marched right over to the army office and was soon frog-marched right out again and ordered never to darken their doors again. The army was desperate for manpower in that awful year but not quite that desperate. The distraught Gooney went wandering down to the low bars by the docks. In one of these reeking hellholes he met some off-duty sailors from the naval base; words were exchanged, he was taken outside and soundly thrashed, then tossed down into a forty-foot deep urban renewal excavation. So it was off to the hospital again for the patriotic young Gooney, who only wanted to serve, or at any rate who only wanted to, as he put it, “kick ass for my country”, but who instead got his own ass kicked by his country’s servicemen.

So it went for Gooney. When he had sufficiently recovered his old man got him a job as a slag shoveler at the neighboring Heintz plant. Gooney lasted almost a month. Next up was a good job as a janitor at the Tastykake factory, and Gooney managed to last three months there. During his tenure at Tastykake a young assembly line-worker named Barbara “Babbles” Boylan for some mysterious reason or reasons took a shine to the manic, hobbling, broken-nosed Gooney McFarland. She became "in the family way", there was a very hurried wedding at St. Helena’s, followed by a drunken riot at the reception at the VFW on Chew Street; and Gooney, instead of heading off to the planned honeymoon in Wildwood, spent the next six weeks in the hospital, followed by six months' convalescence at Holmesburg Prison on four counts of aggravated assault and battery.

Released, Gooney moved into the Rosemar Street rowhome of his pregnant young wife. Mr. Boylan got Gooney a job as an apprentice roofer. On his fifth day at work, while eating a hoagie and drinking a pint can of Ortlieb's and dangling his feet off the edge of the roof of a 75-foot high warehouse in Kensington, Gooney somehow managed to fall off.

After recovering once more, Gooney flat-out refused ever to work again. He applied for a disability pension, and his father and his father-in-law (thinking only of his new baby boy and his poor wife Babbles) pulled some strings with the local Democratic party bigwigs, and Gooney was awarded a modest disability allotment.

Gooney now spent his days in the bars, any bars that would have him, but primarily the Green Parrot, the Huddle, Pat’s Tavern, and occasionally even Smith’s way over on Broad Street, never visiting the same bar two days in a row lest he wear out his always tenuous welcome.

One day he walked out of the Green Parrot, took all his clothes off (it was December, and snowing) and went across 5th Street to Fisher Park, where he proceeded to roll down Dead Man’s Hill, over and over again.

It required six patrolmen to get Gooney into a paddy wagon, and his next permanent address was the Philadelphia State Hospital at Byberry, in the Great Northeast section of Philadelphia, an institution popularly known simply as “Byberry”, or “the looney bin.”

Here at Byberry he achieved perhaps the most difficult of his many “firsts”. He became the first and only inmate in Byberry’s long and inglorious history to escape from the “Violently Insane” ward.

Somehow Gooney removed not only the wire mesh but the steel bars from his fourth floor window. No one knows how. There were no tools found and the mesh and bars seemed somehow simply to have been ripped with main force from the granite window frame. This time there was no rope however, merely two sheets knotted together and seventy-five feet of empty space below the end of them.

Gooney was found the next morning on the front stoop of his parents’ semi-detached on Wentz Street, clad only in his bloodied and soiled hospital pajamas and slippers, with both his legs broken and his skull fractured.

When he awoke from his coma a week later his first words were, “Am I dead yet?”

Incredibly, no. Perhaps it was Mr. Elwood Smith, the venerable proprietor of Smith’s Restaurant at Broad and Olney, who summed up Gooney McFarland best: “Some guys you got to beat into the grave with a stick.”


(Kindly turn to the right hand side of this page for listings of links to other "Tales From the O-Zone". You might also enjoy our serialization of Railroad Train to Heaven, the complete and unexpurgated memoirs of Arnold Schnabel, Olney's beloved "Rhyming Brakeman".)

And now, performing Gooney McFarland's favorite song, The Honeycombs, featuring the fabulously coiffed Honey Lantree on the drums:

Thursday, December 30, 2010

A New Year's toast from Arnold Schnabel

By popular demand we re-broadcast this masterful sonnet from that dour period immediately preceding Arnold Schnabel’s complete mental breakdown; originally published in the Olney Times for January 4, 1963; two weeks later Arnold would be in a padded cell at the Philadelphia State Mental Hospital at Byberry.

If the present poem appears particularly gloomy even for this time of the year, please remember that this particular new year's eve was a mere two months after the Cuban Missile Crisis, during which the destruction of mankind suddenly loomed as a very actual possibility, and concerning the horror of which Arnold Schnabel had already versified so beautifully.

(The “Chew Avenue” of the title refers to the location -- on the corner of Chew and Lawrence -- of Arnold's local Veterans of Foreign Wars post, now sadly defunct.)


New Year’s Eve on Chew Avenue

It’s New Year’s Eve, it seems we’ve made it,
If only barely, through another year;
The terror, if not gone, has abated
Into a dull and grey persistent fear.
My mother’s sound asleep by eleven,
So I go to the VFW,
Shove to the bar of this drunkard’s heaven,
And say, “Pat, if you please, I’ll trouble you
For a Schmidt’s, backed with an Old Forester,
And keep them coming till I say not to,
Or until you throw me out; whatever;
Do what your conscience says that you’ve got to.”
I take that first sacred drink of cold beer:
“Happy new (let’s hope it’s not our last) year.”



(Republished with the kind permission of the Arnold Schnabel Society of Philadelphia, PA. Kindly look to the right hand side of this page for a listing of links to many other fine poems by Arnold Schnabel, many of them suitable for recitations and toasts at family, business or social gatherings, weddings, and funerals during this holiday season. Be sure also to visit our ongoing serialization of Arnold's classic memoir Railroad Train to Heaven.*)

*"I read a page or two every night before retiring." -- Bertrand Russell

Saturday, December 25, 2010

“Railroad Train to Heaven”, Part 230: battle

Our memoirist Arnold Schnabel has been transformed by the Prince of Darkness into “Porter Walker, poet and Lothario”, a character in the once slightly-popular novel (#87 on Redbook’s “100 Beach Books For the Summer of 1960”) Ye Cannot Quench by Gertrude Evans (legendary cult author of over sixty other books, including I’ll Get Back To You Next Week; Cast Caution to the Winds!; Jody The Elevator Girl; I’ll Stop When You Stop; and the Pennzoil Literary Award short-listed The Princess, the Poet, and the Pigeon).

(Go here to read our preceding chapter; in case you’ve been stricken with a severe case of gout and expect to be bed-ridden through the winter months you may click here to return to the very beginning of this Gold View Award™-winning 51-volume epic of autobiography.)

“Frankly I had given up on so-called serious reading and was spending most of my spare time reading mysteries and books about bridge. Then one fateful day in the University Club library as I was looking for a Dick Francis that I hadn’t read too recently I happened upon a dog-eared Ace paperback edition of the first volume of Arnold Schnabel’s memoirs. And my life was changed, changed utterly.” -- Harold Bloom,
in Man’s Adventure.)


Of course I was taken aback.

“How did you get in here?” I said, feeling as if I were reading from a script.

“Oh, please,” said Nicky. “This isn’t exactly Fort Knox, you know. By the way, do you want to duck into the head for a few minutes and relieve yourself?”

“What”

With the two fingers that held his cigarette he pointed to my inguinal area.

“Oh,” I said, looking down again. Fortunately, I could feel the blood already draining back into my torso and the offending organ shrinking, and no wonder. “I don’t think that will be necessary,” I said.

“You and the chicks, Porter, you and the chicks. Ha ha ha.”

“Yeah,” I said. “Very funny.”

“Ha ha ha. Even your landlady. How was she anyway?”

“I consider that question ungentlemanly and one I would never deign to answer.”

“Oh, excuse me!”

The funny thing was that the thing that annoyed me the most just then was the way he had his shoes up on the table, on my papers, my poetry. Well, it was Porter’s poetry, but still. So I spoke up.

“Look,” I said, “do you mind taking your feet off of the table?”

Nicky looked at his feet, as if quizzically.

“Oh. I suppose that was a little rude of me.”

He lifted his feet off the table and put them on the floor, in the process pushing some of my papers fluttering to the floor as well.

“Oh, great,” I said. “Now I’m going to have to reorganize all my papers.”

“Does it really matter if they’re organized or not?” he said. “Seems to me you could just throw them together at random and they’d make as much sense.”

“What do you know about poetry?”

“Well, not a whole lot I suppose.”

I noticed he wasn’t using his cigarette holder. Did he only use it in public, when he wanted to impress people? Did I not count as someone worth impressing?

“You could at least pick them up,” I said.

“Pick what up?”

“My papers you’ve just knocked onto the floor.”

“You’re kidding me, right?”

“No, I’m not kidding. It’s just common courtesy.”

I went over and bent over and picked the papers up myself.

“All right, I’m sorry,” he said.

“Thank you,” I said.

“Don’t you number your pages?”

I glanced at the papers in my hand.

“Apparently not,” I said.

“Well, wouldn’t it make it easier if you --”

“Listen,” I said, “what are you doing here anyway? Sitting here. Drinking my whiskey.”

“Oh. Okay. Now you’re really kidding me.”

“No.”

“Arnold, it’s me. Lucky.”

“Oh,” I said. Then, the full realization finally dawning: “Oh.”

“Yes,” he said.

“So it really is you.”

“What did you think?”

“But -- you said you were really this Nicky Boskins, public relations man. With a wife and three kids in -- where?”

“Scarsdale.”

“Scarsdale,” I said. “In a fine old Victorian house.”

“Merely one of my personae,” he said.

“I don’t know what that word means,” I admitted.

“I thought you knew Latin, like a good Catholic boy.”

“Well, to be quite honest, I only know what’s in the Roman Catholic mass,” I said. “And barely that.”

“I’m disappointed,” he said. “And you a poet and all.”

“Yes, but I’m not a good poet. And I left school at thirteen to go to work.”

“My heart bleeds. Well, anyway, personae is the plural of persona, like a guise, a role.”

“Oh, I get it,” I said. “I think I’ve seen that. Just didn’t know how to pronounce it.”

“The curse of the autodidact. An autodidact is --”

“I know what an autodidact is,” I said, although to tell the truth I wasn’t entirely sure.

“No need to get touchy,” he said.

I tapped the papers straight on the table top.

Hey, pal, who is this asshole?” whispered the fly in my ear.

I laid the papers down on some other papers next to my typewriter, making sure I didn’t get too close to Nicky, or Lucky I suppose I should call him.

Just think your answer,” said the fly, “I’ll hear it.

“He’s the Devil,” I thought.

Fuckin’ hell!

“So get a glass,” said Lucky. “Or a jelly jar, whatever.”

I hesitated.

Kick him in the face,” whispered the fly. “I hate this fucking guy. He’s the one turned me into a fly.

“I said get a glass, Arnold,” said Lucky. He was starting to look more like Lucky and less like Nicky each passing second.

Grab the typewriter and smash it on his skull,” said the fly.

I turned, headed toward the sink.

Porter, Arnold, whatever the hell your name is,” whispered the fly, “what’re you doin’?”

“I’m stalling,” I thought.

Stalling.

“Yes. I can’t beat him in a fair fight. He has the strength of ten men, plus I think he knows judo or jiu-jitsu. I have to out-fox him somehow.”

Well, okay, might as well have a drink then.

“You’re awfully quiet, Arnold,” said Lucky.

Just to annoy him, but also because I really had nothing to say to his remark, I said nothing.

The glass that both the fly and I had used earlier in the day was still in the sink. I didn’t see any dish soap, but I turned on the tap and gave the glass a thorough rinse with hot water.

“You know,” said Lucky, “you’ve really impressed me today.”

“Oh really?” I said.

“Yes. I thought I was going to drive you crazy by exiling you into this universe.”

“Ha,” I said.

There was no dishtowel around, so I just shook the glass in the air to get some of the water off it.

That’s right,” whispered the fly. “Treat the bastard with the contempt he so richly deserves.

I turned around and headed back to the table.

“You forgot one thing, Lucky,” I said. “If I may call you Lucky.”

“Or Mr. Lucky. Or Lucifer’s okay. Or Dark Lord.”

“Lucky.”

“Call me Lucky then. What did I forget?”

I walked around to the opposite side of the table.

“Sit down, Arnold.”

There was a chair there, so I sat in it, across from him. He pushed the Early Times toward me. He reached into his inside jacket pocket, brought out his cigarette case, clicked it open.

“Cigarette?”

“I’ve quit,” I said.

“And again I say, oh, please. Arnold old man, do you think you’re going to live forever?”

“I doubt it.”

“Or even, say, oh, I don’t know, five more minutes?”

“I wouldn’t know.”

“Have a cigarette. One last cigarette. One really, really, final last cigarette.”

“No thanks.”

He clicked the case shut, put it back into his jacket.

“So what did I forget?” he said.

I took the bottle. He hadn’t put the cap back on. I poured myself a shot, a double shot really. I took a drink.

Save some for me, pal,” whispered the fly.

“Arnold,” said Lucky, “I asked you to tell me what I forgot. Or what you claim I forgot.”

The whiskey tasted good. I took another sip, savoring it. I turned my head, looked out the window that gave onto the Bowery. It was still raining out there, and rainwater had wet and was wetting the windowsill.

I turned back to Lucky. I put my glass down.

“What you forgot,” I said, “is that you can’t drive a crazy man crazy.”

Lucky just stared at me. His moustache had grown back, and his eyes had become darker, almost black.

Oh my God, you’re getting to him, pal,” said the fly. “You’re really getting the bastard’s goat.

“I could drag you down to the flaming pits of hell this very second if I wanted to,” said Lucky.

“What’s stopping you?”

He continued to stare at me. Sweat beaded on his forehead.

“You’ve got something up your sleeve, don’t you?” he said.

Actually I had nothing up my sleeve. I had nothing. Except my insanity.

I stared into his eyes. True, they were frightening, like two holes looking into the abyss of the universe. But I had looked into that abyss before, I had fallen into it, and I had come out again. None of this was really new to me.

Hey, pal --” the fly started to say, sounding nervous, but I cut him off.

“Quiet,” I thought. “I’m trying to concentrate.”

Sorry, pal, do what you gotta do.”

“You’ve got some deal with your buddy, don’t you?” said Lucky. “Your so-called friend -- ‘Josh’.”

As far as I knew Josh unfortunately was still getting drunk at that writers’ bar on MacDougal Street with Pat and Carlotta and the rest of the gang, but of course I didn’t say this.

“I don’t make deals,” I said.

I have no idea why I said this. It just sounded like a “cool” thing to say.

“You don’t make deals,” said Lucky.

I said nothing. I took another drink, finishing what was in the glass.

I picked up the bottle, poured myself another good shot. There was still a little left in the bottle.

“Do you want some more?” I said.

“What?”

He hadn’t taken a drink the whole time I’d been in here, and there was still a couple of fingers in his jelly glass.

“Some whiskey,” I said. “Do you want some more?”

“Oh, no thank you, I, uh, I, uh, no, I’m good. Thanks.”

He lifted his glass, took a drink.

He was sweating quite profusely now.

He tapped his cigarette ash into the ashtray that was on the table, the one that said “At the Prince George Hotel -- where the service is swell!

“Hey, you know what I think,” he said, suddenly. He paused. I said nothing. “You know what I think, I think you’re bluffing. That’s what I think. What could you, what could you possibly, what could you -- even if ‘Josh’ were to -- even if -- wait.”

He looked at me. I looked back at him.

I don’t know what you’re doin’, pal,” said the fly, “but keep on doin’ it.

“Wait,” Lucky said, again. “What did -- what did Josh say about me?”

I said nothing.

“Did he -- wait -- did he give you the authority to -- hold on. I know you’ve got an ace in the hole. Did he say that I could, you know --”

I said nothing.

“Did he say I could come back? Is that was this is about? Is this why you’re so --”

“Why would he let you come back?” I said.

“To his father’s house? Why indeed? Why indeed. But -- one time, Arnold, one time, I was pretty tight with that crew, very tight. Okay, some say I got above my station. Well, everyone says that. So okay, I got tossed out. Big deal. We all make mistakes. But. It’s been an eternity, Arnold. Well, not an eternity, that’s impossible, but, like millions, millions, eons, epochs, whatever. A long time. I mean, the big guy’s supposed to be merciful, right? Right?”

I said nothing.

“So where’s the mercy for ol’ Lucifer?”

I held my peace.

“What do you think, can I get back?”

I looked at my drink, then I looked at him.

“Maybe,” I said.

“Maybe?”

“Maybe.”

“Can you -- could you -- would you -- I mean, do you think you could work it out for me?”

“Why should I?”

“Why should you? Arnold, you don’t know the real me. I used to be called the Light Bearer, you know. I can be a really good guy. A good guy to know. I’ll be, you know, I’ll be -- what?”

“Good?”

“Yeah, whatever, I’ll be good.”

“You’ll have to put it in writing.”

“Sure. Of course. Whatever.”

“Okay then,” I said.

I pushed my chair back, got up.

“Where are you going?” he asked.

“Just to get a pen.”

“We can’t use the typewriter?”

“Gotta be a pen.”

I started across the room toward my night table.

“I’ve got a pen,” he said, “a nice one, a Montblanc, right in my pocket.”

“Come on, Lucky, you know we can’t use your pen.”

“Oh. No, I guess not.”

I remembered seeing a tortoise-shell fountain pen on the bed table when I had first woken up here a couple of days ago (what seemed like a year ago). It was still there. I picked it up. It looked familiar. I was pretty sure it was the same pen.

I walked back towards the kitchen table.

“Is this like a contract I’ll have to sign?” said Lucky.

“Yeah, pretty simple,” I said.

I sat down again, took the cap off the pen, replaced it onto the barrel.

“What about all the billions of people who are in Hell?” he asked.

“Well, I don’t know about them,” I said.

“Ah the hell with them anyway, right, heh heh. They deserve to be there. Just kidding.”

“Slide me a blank piece of paper, will you, Lucky?”

“Sure.” He picked up a blank sheet of typewriter paper, handed it to me. “So I guess you just have to, uh, what --”

“Yeah,” I said, “I just have to write something down here -- a little -- what’s the word?”

“Boilerplate?”

“Yeah, just a sentence or so.”

“Then I sign it.”

“Sure, if you want to.”

“Oh, I want to, I really want to --”

“Good,” I said.

“Okay. Write away. Can’t wait to get back to the big house. Wonder if I’ll get my old room?”

“Don’t know,” I said.

“You’ve been there, right?”

“Yes, I’ve been there,” I said. “Now, look, I don’t want to seem impolite, but would you mind awfully just being quiet for a few seconds while I write this?”

“Oh, sure, sorry. Go right ahead.”

He finally shut up. The only sound was the rain, and the buzzing sound of the fly, who was now circling above my head.

I wrote what I had to write on the paper, and it didn’t take long.

I took the cap off the barrel of the pen, stuck it back onto the tip.

“Finished?” said Nicky.

“Yes,” I said, putting down the pen. “Here. Read this over.”

I picked the sheet of paper up, handed it to him.

Putting his cigarette between his thin lips, he eagerly turned the paper around so that he could read it.

There was a pause. Outside there was a flash of lightning, then a bang of thunder that sounded like two cement trucks crashing into each other at full speed down in the street.

“You bastard,” said Lucky. His cigarette fell from his lips to the table.

He dropped the paper, then abruptly stood up, knocking over his chair.

“You fucking lying bastard. I’ll fucking --”

There was another, greater flash of lightning, a series of flashes really, and then Lucky was gone, leaving only an opalescent wisp of smoke or vapor and an odor of dog feces and moldy linoleum, of burning compost, of dead bodies.

A rolling barrage of thunderclaps sounded through the windows like a stick of bombs exploding along the Bowery.

Then there was silence, all but for the sound of the rain outside and the buzzing of the fly.

I reached across the table and picked up Lucky’s still-burning cigarette butt, and I stubbed it out into the ashtray.

“Holy shit,” said the fly, zooming merrily around the table. “What did you write on that paper?”

“Can you read?” I asked.

“’Course I can read, I may be a fly but I ain’t illiterate.”

“Here then,” I said. I reached over, picked up the paper and held it up. The fly came down and hovered in front of it.

“Oh you slay me, pal. You absolutely slay me. ‘Go back to hell, you bastard, and stay there.’ Priceless. ‘Go back to hell, you bastard.’ Ha ha ha. ‘And fuckin’ stay there.’ Ha ha ha. I love it, you slay me pal. Let’s have a drink.”

“Good idea,” I said.


(Continued here, somehow, someway, for some unknown reason or reasons.)

(Please look to the right hand side of this page to find a listing of links to all other chapters of Arnold Schnabel’s Railroad Train To Heaven© which are currently available to humanity. Be sure to tune in to “St Stephen’s Day: The Arnold Schnabel Day After Christmas Special” tonight at 9:00 PM (EST) on the DuMont Television Network, hosted by John Cameron Swayze and starring Dane Clark, Cleo Moore, Audrey Trotter, Dan Duryea, and Zachary Scott; music by the Chamber Orchestra of Philadelphia and the Red Norvo Quintet; special appearances by the June Taylor Dancers and the Mabel Beaton Marionettes; sponsored by Tastykake.)

A very special Arnold Schnabel Christmas sonnet

Some of the boys from the Heintz plant, at the Green Parrot, Christmas Eve 1962


In the spirit of the day we re-broadcast this classic poem from Arnold Schnabel, first published in the Christmas 1962 number of the
Olney Times.

Compliments of the season!


“Christmas Eve in Olney

It’s Christmas Eve, the factories are closed,
The boys from Heintz and Budd and Tastykake*
Are free, the Proctor & Schwartz crew have hosed
Themselves down and gone home, each lad to take
Out his one good suit from off the Sears rack,
A crisp white shirt with tab collar from Krass
A thin dark tie, Thom McAn shoes of black;
Splash some Old Spice, then off to Midnight Mass;
But first a brief stop, but just for the one
At the Green Parrot, the Huddle, or Pat’s,
And perhaps also a shot, one and done,
Make it Four Roses, and backed with a Blatz;
Five to midnight, we have time for one more --
Who would dare bar us from Helena’s door?


*"Nobody bakes a cake as tasty as a Tastykake." -- Editor



(Check the right hand column of this page for listings of links to many other fine poems by Arnold Schnabel, as well as to our exclusive ongoing serialization of his
classic Schaefer Award-winning memoir Railroad Train to Heaven.)