Friday, January 18, 2013

“Railroad Train to Heaven”, Part 330: buddies


In a strangely selective subterranean barroom in Greenwich Village our hero Arnold Schnabel has encountered his old friend, that bold seafaring adventurer, Big Ben Blagwell... 

(Please click here to read our previous chapter; go here to return to the only vaguely-remembered beginnings of this Gold View Award™-winning 69-volume memoir.)

“The Greeks have their Homer, the English have Shakespeare; the Germans have Goethe, the Russians their Tolstoy and their Dostoyevsky; and, yes, France has its Proust. But we — America, or rather I should say the United States thereof, we have our Arnold Schnabel.” — Harold Bloom, in his “Books Can Be Cool!” column in
Tiger Beat.


“Arnie,” he said, “is that you?”

I looked at him for two seconds without saying a word, and then it hit me.

He was the same old Ben, my old friend and companion in adventure (even though by one standard of measuring time I had only met him that very morning), but I however had changed bodies entirely, once again.

“Yes, Ben,” I said. “It’s me. Arnold.”

He wore his usual outfit. The Hawaiian shirt, the crushed and sun-bleached yachting cap, the dungarees; and as usual he was unshaven, with maybe a weeks’ worth of shiny ginger stubble. In fact he looked pretty much the same as the last time I had seen him, in another universe, back in Madame Chang’s chambers in Singapore. He had a cigarette in his mouth, undoubtedly a Sweet Caporal, and a big blood-orange drink in his hand, probably a Planter’s Punch with a float of “151” rum.

“How did you know it was me?” I said, or, rather, shouted, because we were right in between the jazz combo and the bar,  and surrounded by yelling and laughing people.

“How did I know it was you?” he said. He took his big hand (the only kind of hand he had after all) off my arm, made a fist of it, and gave me a play-punch on the jaw that only knocked me back a step or so. “It’s that walk of yours, buddy.”
 
“My walk?”

“Yeah, your walk,” he said. “I mean, everybody’s got a distinctive walk, right?”

“I guess so,” I said.

“Some more so than others. And you, my friend, you got a very distinctive walk.”

“Oh,” I said. “Well, look, Ben —”

“It’s like, on the one hand it’s like you’re walking out to a wall to be shot by a firing squad.”

“Oh,” I said.
 
“And on the other hand it usually seems like you’re limping, like you got a bum wheel and you’re in like physical pain.”

“Well, I did hurt my leg,” I said. “You see I tripped and fell earlier tonight, and I am in pain, somewhat.”

“Sorry to hear that. Tripped and fell, huh?”

“Yes, I mean I don’t think it’s anything too serious. It only really hurts when I’m standing, or walking. It’ll probably get better eventually.” 
“Let’s hope so,” he said. “Let’s hope so. I’m carrying around about a pound of kamikaze shrapnel in both my legs myself. What I do is just try not to think about the pain.”
 
“I’m sorry, Ben,” I said. “I didn’t know —”

“But there’s another distinctive thing about your walk, Arnie.”

“There is?”
“Yeah. I don’t really know any other way to put it, but it’s kind of like you don’t want anybody to know it but you gotta go to the head to take a really, really wicked piss.”

“Well, I do, actually,” I said.

“Gotta take a wicked piss?”

“Yes,” I said.

He laughed, or coughed, it was one or the other or both, and he gave me a slap on the shoulder, but I managed to stay upright.

“Good ol’ Arnie,” he said. “Never a dull moment, hey, pal?”

“Not lately,” I said.

“So what’s your new whaddyacallit, persono-something?”

“Persona?”

“Yeah, like that.”

“Well, in this world I seem to be this guy Porter Walker, a young poet.”

“Handsome, too, I might add,” he said.

“So I gather,” I said. “You see, it’s a novel written by a woman — you know.”

“Oh, sure, I know,” he said. “Dames, they love their good-looking heroes, don’t they?”

“Yes,” I said. “I suppose so.”

“They do, Arnie, they do. At least when they write books they do. You might think a guy like me wouldn’t know about such things. But I read a lot of books. Out on the ocean. On them long sea voyages. And it’s true, mostly I like to read men’s adventure magazines and like Horace P. Sternwall novels and all, but sometimes I’ll pick up a book written by one of these ladies what’s lying around in the ship’s library. And they always got a handsome hero. Usually a handsome ‘brooding’ hero, y’know?”

“Well, I don’t really read those sorts of books too much, Ben, but —”

“You should, Arnie. You might learn something. About like the feminine mind. Their innermost secret desires and longings, and, like passions. You really should.”

“Yeah, I probably should,” I said, “but —”

“Of course in real life it’s different,” he said. He took a drag on his cigarette, and took a look around the bar, and then he looked at me again. “In real life dames settle for what they can get, just like men, Arnie. Just like men. They might want a handsome guy like Clark Gable. But in the end they settle for Wallace Beery if that’s all they can get. God bless their little hearts.”

“Yeah,” I said, “I guess you’re right, Ben, but, look, I don’t mean to be rude, but to be honest, I really have to, you know —”

“Take a wicked piss?”

“Yeah,” I said. “So, look, let me go find the men’s room, and I’ll see you when I come out.”

“Arnie,” he said.

“Yes?”

He took another drag on his cigarette, then took the cigarette out of his mouth and exhaled, slowly, looking at me.

“Think about it, Arnie,” he said, finally. “You may be this ‘Walker Porter’ guy —”

“’Porter Walker’, actually,” I said.

“Whatever, Porter Walker, Porky Pig, Peter Piper, it don’t matter — you’re still Arnie, right? Deep down in your gut and in your brain. In your — whaddyacallit —”

“My soul?”

“Exactly. Deep down in your soul. You’re still the same old Arnie. Right?”

“Yes,” I said.

“God love ya.”

“Um —”

“So, Arnie, bearing that in mind — who you really are, you, and not someone goddam else — you tell me what you think your chances are of you going into that men’s room and coming out without something disastrous happening? Tell me what the chances are you’ll come out at all, that you won’t wind up in some other fucked-up (pardon my French) universe? Go on, you’re an intelligent guy, you tell me.”

“Okay,” I said. “I admit my chances are slim that something disastrous won’t happen. But what can I do? My bladder’s about to burst.”

“Tell ya what, buddy, I’ll come with you.”

“Oh, no, you don’t have to do that, Ben.”

I only said this because I’ve always felt uncomfortable going to a men’s room with another man.

“It’s no problem, Arnie,” he said. “You’re my pal.”

“Yeah,” I said, “but, you know —”

 
“Anybody fucks with you, they fuck with me.”

“I appreciate that, Ben,” I said. “But, look, you’re, uh —”

“Come hell, come high water. Buddies. Through thick and thin.”

 
“Yeah, well —”

“Through rivers of shit and oceans of piss. Pals to the bloody end.”

“Great,” I said. “But look, really, I’ll be okay. You just stay here and drink your drink.”

“This drink?” he said. And he looked at the drink in his hand. It was a big glass, a Collins glass, about three-quarters full of reddish-orange liquid, with a white straw in it.

“Yeah,” I said. “Relax and drink your drink, and —”

“Sure,” he said.

“And I’ll be right out,” I said.

“Wait. Hold on,” he said.

He lifted his glass, put the straw in his lips, and in three good slurps all the liquid was drained from the drink. Then he looked into it, stirring the cubes with a straw.

“Dead fly in there,” he said. “Just once I’d like to drink one of these bastards and not get a free dead fly with it. So, okay, let’s hit the head, buddy.”

“But I really am okay to go by myself,” I said. “Why don’t you order another drink, Ben, and then when I get back —”

“Can it,” he said. “I’m sticking with you, pal. And anyways, maybe I need to take a leak, too.”

“Really?” I said, I don’t know why.

“Sure,” he said. “One thing about me, I practically always need to take a leak. Except maybe if my ship’s been torpedoed out from under me and I’m floating around the South China seas in a rubber raft with no water for a week, a scenario like that let’s say.”

“Right,” I said.

“Okay, then.”

He made a fist again and gave me a little punch on the shoulder, but I remained on my feet.

He turned to a tall bearded man in a dark frock coat and a top hat standing at the bar behind him, and he held out his Planter’s Punch glass.

“Hey, Ahab,” he said. “Take this, will ya, and get me a refill. Planter’s Punch with a float of ‘151’. Get one for my friend here, too, and I’ll cover you when we get back from the head.”

“Cross my palm with silver first and then I will order you your libations,” said this Ahab man. “But not before then.”

He was smoking a pipe with a long black stem, and he held a pewter mug in his hand. Or at least a pewter-like mug. He took a drink out of it, and then wiped his mouth with the back of his hand.

“Y’know, Ahab,” said Ben, after a slight pause, “despite what you may think, it wouldn’t exactly kill you to pick up a round now and then.”

“I believe the price for two Planter’s Punches with floats of ‘151’ rum would be two dollars,” said this Ahab.

“Okay, forget it,” said Ben. The man hadn’t taken the empty glass, so Ben reached past him and put it on the bar. “I’m sorry I asked.”

“I am not a free-drink dispensary,” said this Ahab guy. “Despite what you may have heard in your fo’c’sle scuttlebutt.”

“Yeah, sure. Come on, Arnie,” said Ben, as if it were me holding up the show. “Let’s go drain the main vein. And maybe when we come out we’ll find a different spot at the bar. Somewhere where the assholes ain’t so tight.”

“I heard that,” said this Ahab man.

Ben turned and glared at the man.

“Ben,” I said. “Look, I really have to go.”

“Okay, pal,” he said, and before he could hit me on the shoulder again I started limping off toward this passageway right beyond the end of the bar.

“So, Arnie,” said Ben, doing a little hop and skip to catch up to me, and I could feel the floorboards buckle as he did so, “what’s the deal with this crazy universe, pal?”

“Look, Ben,” I said, “again, I don’t want to be rude, but I really can’t talk right now. I just really need to, you know —”
 
“Pee,” he said.

“Yes,” I said.

We had turned left down this narrow dim hallway behind the bar area, and pretty soon we came to a brick wall with two other passageways going off to the left and right.

“Which way we go?” said Ben.

“You haven’t been to the men’s room yet?”

“Arnie, would I ask which way if I had already gone?”

“No, sorry,” I said. “I think it’s to the left.”

“You’re pretty sure?”

“Yes,” I said. “I’m positive this guy said it was to the left.”

“So let’s go left.”

So we went left down this other hallway, which seemed about twice the length of the one we had just passed through. There was only one naked lightbulb in an overhead fixture, about halfway down the hall, and the walls were bare, worn, unpainted brick, old and brown, and damp-looking.

At last we came to a door. My leg hurt, but the pain was nothing compared with my need to urinate. Maybe Ben’s legs hurt too. I didn’t ask.

“Why isn’t there a men’s room sign on the door?” asked Ben.

“Someone stole it,” I said.

“Oh, yeah, you can see where it used to be,” said Ben, and he pointed with his cigarette at a pale green rectangle on the door, surrounded by the deeper, brownish green of the rest of the door.

“Well, let’s go, then,” said Ben. “What are we waiting for?”

“Yes, you’re right,” I said.

I turned the doorknob and pulled the door open, and it was a bathroom, all right, but there was a woman in it, a woman in a black dress standing at the sink with a cigarette in one hand while she applied scarlet lipstick to her lips from a golden tube she held in her other hand. She turned and looked at me and Ben, standing there. And I don’t know why we were just standing there.

She looked from one to the other of us, and up and down. Then up again. She took a drag on her cigarette, and then finally she spoke:

“I think you have the wrong john, fellas.”


(Continued here, despite the so-called dictates of common sense.)

(Kindly turn to the right-hand column of this page and scroll down to find an up-to-date listing of links to all other available chapters of
Arnold Schnabel’s Railroad Train To Heaven©. Now also appearing in the Collingswood Patch™: “South Jersey’s last and best hope for literacy and culture.”)


Thursday, January 17, 2013

"A No Good Dame"


What a bunch of schlemiels I was thinking. Sitting around playing poker while a good looking dame like me was sitting over here on the couch drinking highballs, smoking Sweet Caporals, and cooling her heels. I guess it was then that I decided I was gonna take them for every penny they were worth, and that included Johnny — 'Cleveland Johnny' Doyle, my so-called fiancé — the big chump.”

A No Good Dame, by "Helen P. Steinmetz" {Horace P. Sternwall} (Acme Books, 1953; one printing only, never republished).


(Scroll down the right-hand side of this page to find a listing of links to the opening passages of many other immortal but oddly out-of-print books by Horace P. Sternwall.)

"Port of Shame"


“Listen, Mom,” I said, “I promise I’ll go to mass tomorrow. But I have to go now because me and some of the other guys are gonna go make a novena.”

Port of Shame, by Horace P. Sternwall (Ace Books, 1955; currently out of print).

(Painting by Herb Tauss. Scroll down the right-hand side of this page to find a listing of links to the opening passages of many other fine but sadly-obscure works of  Horace P. Sternwall.)

Saturday, January 12, 2013

“Railroad Train to Heaven”, Part 329: Tom


Let’s rejoin our hero Arnold Schnabel, currently inhabiting the corporeal form of “Porter Walker, handsome young bohemian poet”, a character in Ye Cannot Quench (Harcourt, Brace; 1960) by Gertrude Evans, the author of such other forgotten bestsellers as Green My Eyes, Black My Soul; The Temptation of Reverend Cartwright; and An Empty Pit Where Once Was My Heart... 

(Kindly go here to read our previous chapter; in case you’re home with the grippe and have nothing to read, just click here to return to the faraway beginnings of this Gold View Award™-winning 62-volume masterpiece.)

“I should have suspected I would catch cold last week when I dined at the local Red Lobster and my waitress kept having to blow her nose. Fortunately I have my Kindle and Arnold Schnabel to keep me company as I sit with a rug on my lap by a roaring fire and with a hot toddy close to hand.” — Harold Bloom, in his “Bookish Chat” column,
The Olney Times.


“What’s your moniker, fella?” said this Tom guy.

Moniker. That word again, which, except in movies or TV shows, I had never heard spoken before yesterday, that yesterday which felt like more than four or even forty years ago.

 
“I say what’s your handle, partner,” said Tom. “Unless you’re one of these mysteriously unnamed characters, or maybe like an anonymous first-person narrator?”

“No,” I said. “I have a name.”

“And if it’s no secret?”

“Well, I suppose it’s Porter, Porter Walker,” I said.

“Porter Walker? Sounds like a high-class, kind of fancy name. You sure this book you were carrying wasn’t one of these critics’ darling literary affairs?”

“I doubt it,” I said.

“Well, my name’s Tom,” said the young fellow, and he held out his hand. I gave him mine, which was only a little numb from this Paul guy’s big mitt squeezing all the life out of my arm.

“Hi, Tom,” I said. It seemed like he was all set to perform one of those long and lingering handshakes, possibly combined with a contest to see who could squeeze the other’s hand the hardest, so I quickly pulled mine away again. “Now if you could just direct me to the men’s room —” 


“Already?”

“That’s the only reason he come in here,” said the big guy, Paul. He was filling his big corncob pipe from a leather pouch that I think he had pulled out of his pants pocket, but it was so big I wasn’t sure how he could have stuffed it into one of his pockets, even though they were pretty big dungaree pockets. But then I also didn’t care.

“So, Porter,” said Tom. “This true, that you only came in just to use the men’s room?”

“Yes, I’m afraid so,” I said.

“May I ask why you didn’t just use the men’s room upstairs?”

“Well, I was going to,” I said, “but then those guys accosted me —”

“The bore-asses?”

“Um,” I said.

“It was Melville, Cooper, Hawthorne, Emerson,” said Paul, striking a wooden match on the sole of his boot, and then putting the light to his pipe. “Them guys.”

“Damn those fellows,” said Tom.

“That’s what I said,” said Paul, drawing on that big pipe of his.

“Damn them straight to their bore-ass hell,” said Tom.

“Exactly what I said,” said Paul. He waved the match out and then tossed it to the floor. “More or less, anyways.”

“They keep this kind of shit up they’re going to lose their men’s room privileges entirely,” said Tom.

“Serve ‘em right,” said Paul, puffing in a contented-looking way on his pipe.

While all this was going on the jazz combo played, loudly, and the people packing this barroom shouted and laughed. No one cared about me and my little problems. Except for this Tom kid, and, maybe, this Paul guy.

“Tell me something,” said Tom, to me. “Why didn’t you just shove ‘em aside? These bore-asses.”

“Well, they had me surrounded,” I said. “And then two of them started fighting.”

 
“Which ones?”

“I think it was the one called Emerson and that other one called Fenmore I think.”

Fenimore,” said Tom.

“Right,” I said. “Fenimore.”

“So it got ugly, huh?”

“Yes,” I said. “I just wanted to get out of there, and, anyway, there were long lines for all the urinals.”

“And for the stalls, too?”
 
“Yes,” I said. “It was very crowded. And it smelled really bad.”

“So you just beat a retreat.”

“Yes,” I said.



“Nothing to be ashamed of.”

“I’m not,” I said.

“In a case like that no one’s going to call you a coward.”

“Well,” I said.

“You did what you thought best.”

“Yeah, sure,” I said, “but —”

“No one’s pointing the finger,” he said.

“Great,” I said.

“I wouldn’t say it’s great,” he said.

“Okay,” I said. “But, listen —”

“It’s a shame it’s gotta be this way. Men’s rooms. Bore-asses. Toilet traitors. The whole damn thing’s a shame.”

“Uh,” I said.

“When I was a young boy it was so much simpler. I would just go off into the weeds.”

“Same with me,” said Paul. “Just go off into the trees. Nothing like it.”

“No lines,” said Tom. “No smells.”

“Just the clean fresh air,” said Paul.

“The sky above, the earth below,” said Tom.

“Just you and Mother Nature,” said Paul, except because of his accent it sounded more like “Mudder Nature”.

Tom took a little puff on his pipe.

“No bore-asses,” he said, looking at me.

“Not usually,” said Paul.

“So,” I said, “about this men’s room —”

“Oh, right, you do look like you gotta go,” said Tom.

“I do,” I said.

“I hope you’re going to stay for a drink.”

“I, um,” I said.

“’Course there’s no obligation. Not if you’re one of us.”

“Well, anyway —” I said.

“Oh, I guess you’re in a hurry.”

“I really am,” I said.

“Okay,” he said. “Just head back that-away,” he gestured with the stem of his corncob pipe over his left shoulder. “Go past the bandstand and the end of the bar. You’ll see a cigarette machine. Right on the other side of it is a door.”

“Okay,” I said.

“But that’s not the men’s room,” he said.

“Okay,” I said. “I guess that’s the office, or —”

“No, it’s not the office. Does it matter?”

“No, not at all,” I said.

“It’s the green room, where the musicians can relax between sets.”

“Oh,” I said.

“Have a drink and a smoke. Maybe even blow some reefer. It’s their business. They’re artists.” 


“Sure,” I said.

“So don’t go in that door.”

“I won’t,” I said.

“Don’t go in there,” he said. “Keep going just a little bit and you’ll come to a corridor going off to the left.”

“The left,” I said.

“Yes,” he said. “But you don’t really have to remember that because it only goes to the left.”

“Okay,” I said. “So just go left down this corridor? Thanks.”

“Hold on, I’m not finished.”

“Sorry,” I said.

“A the end of this short corridor there’s a wall, but the corridor splits off in two directions, right and left again.”

“Okay.”

“Go left. Again.”

“Right,” I said.

“Left.”

“Right. Go left,” I said.

“At the end of this left hallway you’ll find two doors facing each other.”

“Okay,” I said.

“Take the door on the left. That’s the men’s room.”

“Okay,” I said. “The one on the left.”

“You got all that?”

“I think so,” I said.

“Basically you’re going to keep bearing left.”

“Right,” I said.

“Left,” he said.

“Right,” I said again. “Left.”

“I can say it all again if you’re not sure.”

“Well, I’m pretty sure,” I said. “But if I get mixed up there must be a sign on the door, right?”

“Well, there should be,” he said.

“There should be?”

“Should be and used to be. Except somebody stole it.”

“Someone stole the men’s room sign?”

“Stole it right off the door. The ladies’ room sign, too.”

“Oh,” I said.

I didn’t care. My bladder was about to burst.

“The men’s room sign showed a pointing dog.” he said. “And instead of saying ‘Men’ or ‘Gentlemen’, it said ‘Pointers’. Get it?”

“I get it,” I said.

“Ladies’ room had one with a sitting dog, and it says —”

“Setters,” I said.

“You’ve seen these signs before.”

“Yes,” I said.

He put the stem of his pipe to his lips and sucked on it, but apparently it had gone out. He looked into the bowl, then turned the pipe over and tapped it out on the forefinger of his other hand, letting the ashes fall to the sawdust below. Then he looked at me.

“I know what you’re thinking.” 


“You do?”

“You’re thinking, who would do such a thing? Steal a silly sign like that. Two silly signs.”

“I don’t care,” I said.

“You don’t care.”

“He don’t care,” said that big Paul guy.

This Tom kid just stared at me.

“Okay," he said. "So you don’t care. Fine. But listen. And listen good. There are people in here who might tell you I stole those signs. But I didn’t. My days of such mischievous, boyish pranks are behind me. You got that?”

“Yes,” I said. “But look, I really, really have to go.”

“No one’s stopping you. Go.”

“Okay,” I said.

“Maybe after you go we can have a drink. You can tell me your story. You probably already know mine of course.”

“Um,” I said.

“Maybe he ain’t well read,” said Paul.

“Look,” I said, “I’m sorry, but —”

“Okay, go. Go,” said this Tom kid.

I started to go.

“But just remember.” He pointed the stem of his pipe at my nose. “I didn’t take those signs.”

“Okay,” I said.

“Maybe Huckleberry stole them. Maybe he did and maybe he didn’t. I’m not saying he did and I’m not saying he didn’t. But I am not responsible for his actions. Are we clear on that?”

“Yes,” I said.

“Okay,” he said. “Tell you what, after you finish your business let me buy you a drink.”

“All right,” I said. “Maybe.”

“Maybe, huh?” 


“Listen,” I said. “I don’t mean to be rude, but I really need to go to the bathroom. I can’t think about getting a drink afterwards now. All I can think about is getting to the bathroom before I have an accident.”

“I think you’re serious,” said this Tom kid.

“He serious,” said that big Paul guy. “He dead serious.”

“I think he is,” said Tom. “Okay, buddy. ‘Porter’,” he said to me. “Go. Go do your business.”

“Thanks,” I said. “I will.”

“You got those directions?”

“I think so,” I said.

“You better hurry then.”

Without another word I set off across the room, limping —because, yes, my leg still hurt — making my way through some tables all filled with drinking and laughing people, and up to the bandstand, which had a bunch of other people standing near it, listening to the music, and shouting encouragement and their appreciation to the musicians, and I was just about to go past the bandstand and the end of the crowded bar when someone grabbed my right arm, the same arm that that big guy Paul had just been hanging onto.

“Hey, pal, where you going?”

I turned.

It was Ben.

My friend.

Big Ben Blagwell.


(Continued here, and while strength endures.)

(Please turn to the right-hand column of this page for what may well be a  current listing of links to all other published chapters of
Arnold Schnabel’s Railroad Train To Heaven©. Now also appearing in the Collingswood Patch™: “South Jersey’s last bastion of literacy.”)