Saturday, March 12, 2011

“Railroad Train to Heaven”, Part 241: old lace

Our previous episode closed with our friend Arnold Schnabel climbing a dark spiral staircase at the back of Arbuthnot’s Whatnot Shoppe, here in the quaint old seaside town of Cape May, New Jersey, on a rather portentously rainy Sunday in August of 1963…

(Go here to return to the very beginning of this Gold View Award-winning 37-volume masterpiece of autobiography.)

“Maybe I’m just getting old, but (except for my vintage old Horace P. Sternwall paperbacks and the Daily Racing Form) Arnold Schnabel is just about all I am able to read these days.” -- Harold Bloom, in Man’s Life.

When I reached the top of the stairs the cat was waiting, sitting on the back of the tiger-striped sofa, staring at me in a sort of grey opalescent dimness as if the apartment were halfway between being in an early Technicolor movie and an old black-and-white one; no electric lights seemed to be on, but through the windows a soft glow from the rainy outside world suffused these rooms, which seemed even more overstuffed (with old furniture and old objects either of art or utility or perhaps of historical or antiquarian interest) than they had the previous night, that previous evening which felt as if it had happened two years before at least. It was warm and close up here, although not nearly so hot and stuffy as the stairwell had been. The air smelled of tobacco and marijuana, of damp galoshes and moldy old newspapers, of a monastery cloakroom at a retreat for lonely Catholic bachelors who have abandoned all hope for happiness in the physical world.

Mr. Arbuthnot came up silently behind me, I didn’t know he was there until he spoke.

“Please make yourself comfortable, Mr. Schnabel. Take the sofa. I’m sure Shnooby wouldn’t mind sharing.”

I went around the coffee table to the far end of the sofa (as far away from Shnooby as I could get) and sat myself down, sinking into the couch’s recesses until my bottom was probably only an inch or so from the floor.

“Quite cozy, isn’t it, that divan?” said Mr. Arbuthnot over his shoulder. He was heading toward the far end of the room. “I sit down in it and I never want to get up again.”

“I’m not sure I’ll ever be able to get up again,” I thought, but did not say. An antimacassar slid down and over my head and face. It felt stiff and dry. “Damn,” I said, aloud. With two fingers I picked the lace off of my head. It felt like a mummified cobweb.

“What?” said Mr. Arbuthnot, halting in his progress. From where I was buried in the chair I could just barely make out his little head. “Oh, you’re admiring my dentelle. Norman lace that is, over a hundred years old, priceless really. Very beautiful, very delicate, isn’t it?”

“Yeah,” I said.

His head disappeared from my restricted field of vision, and suddenly Shnooby the cat launched a lightning-quick attack and snatched at the lace with both front paws. I tried to pull the antimacassar away but the cat’s nails got stuck in it, and I found myself playing tug-of-war with Shnooby for a few brief but furious seconds until finally he leapt away with a squeal, leaving me holding the tattered remnants of the hundred-year-old lacework.

“Is that Shnooby bothering you over there, Mr. Schnabel,” said the old man’s voice.

“No, no bother,” I said.

Quickly I stuffed the destroyed old lace into the space between the back of the sofa and the seat cushions.

“Oh no!” said the voice.

So, he had seen me childishly hiding the tattered lace.

“I’m sorry, Mr. Arbuthnot,” I said.

“This is a disaster! A disaster of the first order, I tell you!”

“If there’s anything I can --”

“The Harvey’s Bristol Cream bottle is nearly empty!” he cried.

“What?” I said.

“My sherry! My Harvey’s. I tell you, it was that Jones fellow last night.”

“Oh?”

(What did I care who it was, as long as I was off the hook for the antimacassar incident.)

“Yes,” said Mr. Arbuthnot’s voice. “The old rummy must have polished it off when I was in the lavatory. And look, my fifth of Windsor Canadian, also empty but for half a thimbleful if that. What shall I do?”

“It’s okay,” I said.

“Perhaps a cup of tea?” said the voice.

“Don’t bother,” I said. To tell the truth I could have gone for a cup of tea, but this time I was thinking ahead: tea would greatly increase the odds that I would soon have to go to the bathroom, and I didn’t want to have to do that here.

“A quiet smoke perhaps then, Mr. Schnabel?”

“Yeah, sure,” I said.

Mr. Arbuthnot hove back into my view. By this time I had sunk so low that I was almost looking up at my kneecaps. The old fellow stood across from the coffee table and stared down at me, for once this was possible. His hands were folded together at his chest.

“You have something to smoke, Mr. Schnabel? Cigarettes? I know you younger generation are mad for those readymade cigarettes.”

“Well, no,” I said, trying to keep my chin up despite the awkward position into which I was folded, almost like those ancient guys who were packed off to the next world in big earthenware jars instead of proper coffins. “Actually I’ve given up smoking as of yesterday morning.”

“Oh yes now I recall you mentioning something to that effect. Then why may I ask did you just now agree to my suggestion of a quiet smoke?”

I sighed.

“To answer that question would require more knowledge of myself than I possess,” I said. “And more than I wish to have.”

“Ha ha,” said Mr. Arbuthnot, “you young fellows! Always ready with a witty riposte! You’re a regular William Powell, you are! A veritable Franchot Tone! Gee, I’d offer you some weed but I killed my last reefer with my morning coffee, and we smoked up the last of my opiated hash last night at Freddy and Ursula’s crib.”

“Oh, well, look, please, Mr. Arbuthnot, light your pipe. Don’t worry about me. I’ll just sit here.”

“And sitting comfortably are you? You look just as snug as a bug in a rug.”

“Uh, well, actually --”

“Ha ha, but you said Wally down at the cigar shop gave you something.”

“What?”

“Wally gave you something you said.”

“Oh, right, yeah.”

Still keeping his hands folded together, he bent forward towards me, smiling, his little head cocked slightly to one side. ”What is it I wonder.”

“I don’t know,” I said.

“You don’t know.”

He was still smiling, but the smile seemed a little forced.

“Yeah,” I said. “He just gave it to me.”

“But you don’t now what it is.”

“No.”

He finally gave up on the smile, although he bent even closer towards me, leaning over the coffee table.

“He just gave it to you.”

“Yes,” I said. “Said the first one was free. I told him I didn’t want anything, I was just there to buy my little cousin Kevin some comic books, but --”

“Yes, yes, of course, of course,” said Mr. Arbuthnot, “but I wonder -- may I see it?”

“What, this stuff he gave me?”

“Stuff? Ha ha! Stuff, indeed. Yes, may I see it.”

“Sure,” I said.

Awkwardly slumped down and almost buried in the sofa as I was, I tried to get my hand down to my right trousers pocket.

“Hold on,” I said.

“Yes, of course, I’ll hold on.”

“Wait a second.”

“Having some difficulty.”

“Yes.”

“You young fellows of this modern age are so big-boned and strapping, aren’t you? That poor old couch can barely support your great muscular frame.”

“Yeah,” I said, contorting.

“What you have to do is lean all the way over to your left side.”

“Uh-huh.”

“All the way now.”

I leaned over all the way and sank even deeper.

“Are you quite all right?”

“I feel like I’m wrestling with a giant marshmallow.”

“Ha ha your dry wit, flashing through the conversation like sheet lightning, now get your right hand in there, just work it in.”

“Hey, you don’t have a rope and pulley, do you?” I said. “I mean for when I have to get out of this?”

“Would that I did,” said Mr. Arbuthnot. “Would that I did. There, have you got it?”

“Yes,” I said.

“Pull it out now but do try not to throw out your sacroiliac.”

“I’ll try,” I said.

Finally I got the little tin canister out of my pocket, and from my sunken and twisted position in the sofa I held the thing out at arm’s length towards the old man.

“Oh, my,” he said. “May I see it? I mean of course I can see it, but I mean may I hold it, hold it in my hands?”

“Sure --”

Quick as a cat he darted out his hand and grabbed the canister from my fingers.

He straightened up, holding the tin just inches from his glasses.

“Well, well, what do we have here?”

“Beats me,” I said, trying to sit up again.

“What do we have here,” he said again, not as a question. “Would you mind if I opened it.”

“No, not at all, go ahead.”

“Very well. Very carefully.”

Holding the tin with his left hand he worked the cap with his right hand.

“Slow and easy, that’s the trick,” he said. “Slow and easy. As the nun said to the bishop. Oh. Here we go.”

He had the thing open now.

“Oh my,” he said. “Oh my indeed.”

He brought the open canister to his nose, bending his head forward. He sniffed, then lifted his face up. He wore a smile again now. I couldn’t tell if the smile was sincere or not, but it looked strange, as if invisible hooks pulling at either end of his mouth were forcing him to bare his neat yellow dentures.

“Well, haven’t seen this stuff in some time, no indeed, not in quite some time,” he said in a hearty-sounding voice.

He gave the open tin a quick pass by his nostrils, flaring them briefly but widely.

“So I guess you don’t really want this?” he said, in a hopeful-sounding way, still holding his smile.

“I didn’t ask for it,” I said. “What is it?”

“What is it? Oh, just, you know, uh, what do you call it --”

He suddenly stopped smiling, or grimacing, whatever it was.

“I don’t know,” I said.

“Snuff?” he said.

“Snuff?”

“Yes,” he said. “Snuff.”

“Oh. Wally said you could smoke it, too, or put it in your coffee. Or chew it.”

“He did?”

“Yes.”

“Well, yes, I suppose you could, yes, why not? Chacun à son goût. Each to his own. Whatever. So you don’t want it.”

“Not really,” I said. “So it’s, like, what, tobacco?”

“Is this tobacco?”

“Yeah.”

“Oh no. No, it’s not tobacco. No. So, I wonder, if you really don’t want it --”

All through this I had been struggling to get into some kind of a comfortable sitting position on the sofa, but just then I got so frustrated that I put one hand on the outer edge of the seat beneath the cushion and just hauled myself up and out of it all by main force, winding up with one knee on the rug and my other hand on the coffee table.

“Ow,” I said, because I’d hurt my already sore knee.

“Careful there old man,” said Mr. Arbuthnot. “You almost made me spill the stuff.”

“Sorry.”

“Well, it’s still your stuff after all.”

I pushed myself up to a standing position, and looked down on the little old man across the coffee table from me, with his old man’s head bent down as he screwed the cap back onto the tin.

“So what is it exactly, Mr. Arbuthnot?”

“What is it.”

“Yeah.”

“What is it, my dear boy?”

He looked up at me through his glasses.

“Yeah,” I said. “Like, what is it?”

“This,” he said, and he raised up the little canister with both hands, the way the priest holds up the host at its consecration, his fingers were trembling slightly, “this my dear boy --”

He paused, as if he weren’t so sure he wanted to spill the beans after all.

But finally he spoke.

“This my dear boy is what the ancient Greeks called the food of the gods!


(Continued here, and for ten or twenty more years at the very least.)

(Kindly look to the right hand column of this page for a current listing of links to all other published chapters of Arnold Schnabel’s Railroad Train To Heaven©. “Makes Rousseau’s famous memoirs look painfully shallow.” -- Horace P. Sternwall, in Man’s Adventure.)

Wednesday, March 9, 2011

"The Doomed", Part Two


The Memoirs of Arnold Schnabel
The Early Years


illustrations by konrad kraus, rhoda penmarq, and the legendary roy dismas

Artistic direction by Rhoda Penmarq

A Quinn/Martin/Sternwall Production


Available exclusively at "flashing by".

Saturday, March 5, 2011

“Railroad Train to Heaven”, Part 240: minuterie


The time:

A rainy noontide in August of 1963.

The place:
Mr. Arbuthnot’s Whatnot Shoppe (a quaint old establishment in the quaint old seaside town of Cape May, New Jersey).

The players:
Mr. Arbuthnot, prop., Arbuthnot’s Whatnot Shop, an old man of mysterious talents.

Shnooby, Mr. Arbuthnot’s black cat.


Arnold Schnabel, poet, adventurer, and memoirist extraordinaire.

(Go here to read our immediately preceding episode; new students may click here to return to the very beginning of this Gold View Award™-winning 87-volume memoir.)

“Just the other morning I went out for what was meant to be a brief but brisk stroll, listening to my homemade audio book of Schnabel’s memoir on my iPod; imagine my surprise when I only came to my senses some sixteen hours later in another town and indeed another state entirely.” -- Harold Bloom, in Mechanix Illustrated.

(This chapter of Arnold's memoir is dedicated to our very talented friend, Kathleen Maher.)



I limped through the shadowy shop towards the back and to the doorway that led up to Mr. Arbuthnot’s living quarters. The cat Shnooby trotted along beside me, and Mr. Arbuthnot followed making no more noise than the cat did, perhaps less.

“The door is unlocked, my good fellow.”

I turned the knob, opened the door to a darker dimness, the short passage, the spiral staircase, a misty light which was only just barely light hanging like a pale shroud from the landing above.

“Oh, there’s an electric light switch to your right, Mr. Schnabel. Never use it myself during the daytime, I’m so used to the gloom, like an old bat, an old vampire bat, heh, heh. Just switch it on. Go ahead. No, to the right I said, the right. Yes. Lower. No, lower still. Lower, old man. You see we’re not all so tall as you strapping young bucks of today. There you go, almost there.”

I found the switch, flicked it, a low-wattage light came on in a greyish yellow ball high up on the landing above, the wooden staircase become somewhat more visible, and visibly dusty. Spiderwebs hung between banisters and walls covered with blistered and stained old paper reminiscent in color and design of photographs of the Dead Sea Scrolls which I had once perused in a Life magazine at the barber shop.

I started up the spiral staircase. The cat darted between my legs and flew up ahead of me.

I stopped after a few steps.

“You know, Mr. Arbuthnot --” I said, over my shoulder. He was still at the foot of the staircase, but he had his small old hand on the railing.

“Yes, my boy, what is it.”

“Maybe I really should go after all. I mean Elektra only lives a block or so away.”

“And what if that flatfoot puts the pinch on you?”

“But I haven’t done anything wrong.”

“He didn’t seem to think so.”

“But really, I haven’t.”

“So you say, but it’s your word against his. He seems to have it in for you, my dear boy.”

“I know.”

“Why, may I ask? I mean if I’m not getting too personal.”

I paused, standing there, turned awkwardly on the staircase so that I could look down at Mr. Arbuthnot’s wizened face which was even less scrutable than that of the wooden Indian chief by the doorway of Wally’s Cigar Shop and Pool Room. The cat had come back down the steps partway, and he sat on a step at the level of my face, staring at me with his marbled and somehow questioning yellow eyes.

“The other night,” I said, “he -- “

“He being the flatfoot.”

“Yes,” I said. “He, uh, caught me, uh, talking to myself. On the street.”

“On the street.”

“Yes.”

“Where?”

“Uh, down on Perry Street, near Washington.”

“And what time of night was this?”

“I’m not sure. Pretty late.”

“I see,” said Mr. Arbuthnot. “And were you perhaps, shall we say, in your cups?”

“Drunk you mean?”

“Merry, let’s say. Feeling little pain. Inebriate. You had a load on.”

“Just a little,” I said.

“A little load. Half a load, say.”

“Well, uh --”

“Were you also a little high maybe? I mean tea high? Or perhaps you had been hitting the old opium pipe with Freddy Ayres and Ursula?”

“Well, I had smoked some marijuana,” I admitted. “But it was my first time ever.”

“Oh, I’m sure it was. And this Johnny Law, does he know about your having just recently been released from a mental institution?”

“Well, it wasn’t that recent,” I said.

“When was it?”

"Um -- April?”

“April.”

“Well, uh --”

“And there you are. Pretty as a picture by Currier & Ives. In a custom-made frame. I give you a recently released mental patient. Drunk, and possibly reeking of Mary Jane. Talking to himself on the street at night. This is what the bulls call suspicious behavior on the part of a dubious character, and that’s all they need for an excuse to run you in. By the way, what were you talking to yourself about anyway? Nothing too inflammatory I hope.”

I sighed.

“I was talking to Jesus.”

“Jesus.”

“Yes,” I said.

“As in Christ.”

“Yes.”

“Ahem.”

“No, wait,” I said. “I just remembered. You met him.”

“I met who.”

“Jesus.”

“I beg your pardon.”

“You met him last night. My friend.”

“What, that nice naval fellow you were in here with?”

“No, that was Dick Ridpath. This was my other friend, Josh. You met him at the Pilot House.

"What, that drunken hobo?"

"He's not a hobo. He merely dresses casually."

"This 'Josh' fellow."

"That's sort of his human name."

“So you’re saying this Josh dude was Jesus.”

“Well, I wouldn’t call him a dude, either."

“That drunken fellow.”

“Well, yes, it’s true, he was drunk.”

“He was Jesus.”

“I know it’s hard to believe. But didn’t you see the way he brought Mr. Jones back from the dead?”

“Well, I can see how you might believe that’s what you saw.”

“No, he did. He’s all-powerful. Well, maybe not completely all-powerful, but pretty powerful.”

“Pretty powerful.’

“Yes,” I said.

Now Mr. Arbuthnot sighed.

“You’re not carrying, are you, Mr. Schnabel?”

“Carrying?”

“Dope. Tea. The big O.”

“No!” I almost yelled.

“Oh my, I was only asking a civil question.”

“I mean, no,” I said, in a quieter voice.

“Nothing at all, not even a roach?”

“Why would I be carrying a roach?”

“I mean the tail end of a reefer.”

“Oh. No.”

“No pills? Reds, yellows, goofballs? Black beauties? Pink footballs?”

“No, nothing like that,” I said, and then, “um.”

“Um what.”

“I forgot.”

“Forgot what?”

“That guy Wally, down at the cigar shop, he gave me something.”

“He gave you something.”

“Yes,” I said.
"What sort of something?"
"Well, it's this like little canister of something --"
"Canister."
"Yeah, like little, round --"
Suddenly the faint yellow light went out with a click and we were plunged into shadows again.

“What the hell,” I said.

“Don’t be alarmed,” said Mr. Arbuthnot. “The switch is set to a minuterie. It goes off automatically after three-and-a-half minutes.”

“Only three-and-a-half minutes?”

“Yes,” he said.

It had felt like so much longer than three-and-a-half minutes, more like fifteen at least, or twenty. An hour. It was very warm and stuffy in this stairwell as well. The air smelled old.

“By the way,” said Mr. Arbuthnot, who made no move at all to flick the light switch on again, “aren’t you feeling a little awkward standing in the middle of the staircase that way?”

“Yes,” I admitted.

“Because I wouldn’t mind sitting down,” he said.

“Oh.”

“I’m not nearly as young as I once was you know. It’s 1963, not 1863 after all, ha ha.”

“Heh.”

“Go on up. We’ll talk in my flat.”

“But I --”

“If that copper runs you in,” said Mr. Arbuthnot, down there in the shadows, a stray beam of faint light giving a pale gleam to the lenses of his glasses, “if this junior Wyatt Earp tosses you in the cooler then you won’t see your girl at all. Even if you’re clean he’ll keep you at the station, grilling you with asinine questions all day just for something to do. And the whole town will hear about it. You know what this burg is like. Me, I know how to keep my trap shut, especially when it concerns a pal. You ask around, I never dropped a nickel on nobody and no one what didn’t have it coming. But the other busybodies and cheapjack stoolies in this town? You kiddin’ me? Take it from a guy what knows. Play it smart, Mr. Schnabel. Have a sherry. Relax for half an hour. Play it cool and play it as it lays.”

“Well --”

“What time does this mass let out about anyway?”

“Around one,” I said. “Depending on how long the sermon is, or --”

“So we keep an eye on the clock. At five to one we go downstairs, keep an eye through the window for the crowd. Soon as they start to come by in more than a trickle, we crack the door and you slip out. Boom. Two minutes later you’re rolling in your sweet baby’s arms.”

“Well, I think she’s working in her shop, so --”

“I did not mean that literally necessarily.”

“Oh.”

“Come on, let’s go. Start climbing. I’m getting a sore neck down here.”

“All right,” I said.

I turned finally, and started up the staircase, the cat darting up ahead of me. I had begun to sweat profusely while standing here in this airless dark well, and the palm of my hand felt slimy wet on the banister.

I sensed but did not hear Mr. Arbuthnot climbing the stairs beneath me.


(Continued here, and to heaven and to hell and back again if necessary.)

(Please turn to the right hand column of this page to find an up-to-date listing of links to sundry other other fine chapters of Arnold Schnabel’s Railroad Train To Heaven©. Be sure to check out rhoda penmarq's production of “the doomed”, a very special mini-series illustrated by the legendary Konrad Kraus and based on the first six chapters of Arnold’s saga, appearing exclusively in “flashing by”!)

Thursday, March 3, 2011

"The Doomed", Part One


The Memoirs of Arnold Schnabel: The Early Years

Illustrated by the legendary Konrad Kraus

Artistic direction by Rhoda Penmarq

A Quinn/Martin Production


Available exclusively at "flashing by".